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Being billed as “one of the most immersive and visceral, unfiltered and unflinching war films that must be experienced in theaters,” Alex Garland and Ray Mendoza’s uncompromising new war thriller Warfare must be seen in theaters to get the full effect. The movie embeds audiences with a platoon of elite Navy SEALs that must rely on each other and their tier one tactical training when a routine observation mission goes horribly awry thrusting these brave warriors into the fight of their lives.
Warfare is set to launch in theaters on April 11th, but A24 and IMAX are giving fans a chance to see it even earlier in the prestigious format on April 9th which is truly the best war to watch this one. Fans can see the film early with tickets here imax.com/warfare.
Written and directed by Iraq War veteran Ray Mendoza and Alex Garland (Civil War, 28 Days Later), Warfare embeds audiences with a platoon of American Navy SEALs on a surveillance mission gone wrong in insurgent territory. A visceral, boots-on-the-ground story of modern warfare and brotherhood, told like never before: in real time and based on the memory of the people who lived it. The film stars D’Pharaoh Woon-A-Tai, Will Poulter, Cosmo Jarvis, Kit Connor, Finn Bennett, Taylor John Smith, Michael Gandolfini, Adain Bradley, Noah Centineo, Evan Holtzman, Henrique Zaga, with Joseph Quinn and Charles Melton.
A24 has also issued a brand new IMAX trailer to hype up the early IMAX release offering more footage of the war pic.
Bringing this incredible story to life is a rousing cast of actors including D’Pharaoh Woon-A-Tai, Will Poulter, Cosmo Jarvis, Kit Connor, Finn Bennett, Taylor John Smith, Michael Gandolfini, Adain Bradley, Noah Centineo, Evan Holtzman, Henrique Zaga, with Joseph Quinn, and Charles Melton.
Garland and Mendozza both co-wrote and co-directed the film which looks to have the makings of becoming one of the best war films ever made. The footage looks incredible, the tactics authentic and the scope of the film is unmeasurable. Just the shot of the jet swooping over the streets and engulfing it in a torrential and swirling cloud of dust and death is iconic in its own right. It’s told in real time which will make for a riveting and visceral viewing experience for the viewer, and this looks to be the closest one can come to a situation like this without actually tacking up and doing it for real.
— IN THEATERS EVERYWHERE APRIL 11 —
